Outlier: A Writer’s Life or Fictional State of Mind?

Today, I go without food. Stale bread for my boy, the last drops of milk I selfishly steal for my coffee. I need that injection of caffeine or I cannot make the school run–I need it to inject petrol into my eyelids. He will have to go without Rice Krispies today.

I deliver Ritz crackers smeared with peanut butter to his lap, a store-brand box of apple juice as accompaniment. The slim cardboard drink fits awkwardly into his fist. I remember when he would hold his drink with two dimpled hands. I am lost in this reverie of when he was tiny, then retreat to the kitchen, murmuring promises under my breath that soon we shall afford freshly-squeezed juice in see-through bottles, containers that offer you a glimpse of an orange pulp pond under the lid. I look at these expensive drinks on shelves in my supermarket and salivate, virtually tasting nutritious sweetness guaranteed to ignite a happy, sunshine feeling throughout my body with each sip. Energy would be restored.

He is licking peanut butter from the crackers. I fix eyes on his silhouette from the kitchen. It’s cold today. I daren’t boil the kettle again for another coffee. The milk is gone anyway. Soon we will afford better juice. How stupid I sound. I should be grateful for being able to give my son breakfast not murmur promises to him. Years of promises remain a steady, unbroken stream. Undelivered ‘some day we will have’ mantras, spoken to his cherub face. In the corner of the kitchen this morning, shoulder pressed against my cool fridge, I curl fingers over my eyes. I shield shame from my boy.

I have tried. Tried my best. I see now that our poverty is easing onto my son’s radar. The other boys have Playstations. They have sleek, shiny bicycles and look forward to holidays in France. I observe his smile weakening as he reassures me that I am the best mother in the world and he is happy. I consciously distance myself from comparing my life now to when I earned a six-figure salary and amassed a collection of over one-hundred pairs of stilettos and practical pumps for work.

I curse the decisions I have made to render us into this stifling existence. I hold firm affirmation that the big break I need to regain my footing is lurking behind a cunningly disguised hiding place around the bend. I dream one day of being discovered. I am determined to write every day and apply for jobs employers ultimately declare me too experienced to fill, then my talent as a writer will emerge from this darkening, abridged life of not sleeping and my daily state of ‘just getting by.’

I am hungry. I won’t empty the box of Ritz crackers so there will be a few left to munch when we have our tomato soup tonight. Soup again. But my boy smiles at this meal: his small but maturing face still crunches with delight at mealtimes when I serve the heated tin of Campbell’s aside toast topped with circles of ham for eyes, a knob of cheese for a nose and squiggles of bright yellow mustard for a mouth. He still laughs at this, my gorgeous boy. How long will he source joy in my efforts to dress up our bare cupboard with such imaginative folly?

I never cry. Okay, untrue. I cry at silly triggers. Not the obvious ones about my life or personal hopelessness. I cried yesterday when I moved the sofa and trickles of coins littered the floor. The relief! I watched an old man last weekend incite an argument with a group of young boys in the park. The teens were dropping wrappers and plastic bottles indiscriminately as they munched and gulped along the path, paying no heed to the littered trail that exposed them as culprits. They didn’t care. They don’t care. The old man cared. He spoke up, shaking his walking stick their direction and ordering them to pick up their mess. The stick was a mistake. One lad grabbed the end—not harshly but enough to stop the flailing action and it scared the old man. I watched them lock eyes—two men: one shrunken and silented by the world; the other, youthful and brash in his loudness. The young gang then continued on their way, discarding detritus in their wake. The pensioner retreated to the nearest wooden bench. My son continued holding my hand, looking up at me for answers. I cried. Not so much for the old man or the fear of what is happening in our world, where people stomp around dirtying the few public places left for me to bring my child. It costs nothing, an afternoon of kicking a ball around together in the park. I didn’t even cry because how deeply saddened I felt that this is the world my son will inherit. A world of rudeness and entitlement by some who still have not reached the age of shaving their pimply faces. And it was not a big cry, so do not worry that my son witnessed any outdoor breakdown by his mother. No, it was a simple cry, over in seconds. A release of grief in a moment of helplessness, a sympatico felt for the old man who similarly inhabits a world where he knows what is right and has a good heart, but he is also silenced and he has then, invariably, been disempowered.

Deep in my core, I feel a rage of power rumbling like lava—it’s a determination and knowledge that I have everything I need to propel me and my boy out of this life, towards something better; for now, though, I sat on a park bench alongside an old man, contemplating how to share my voice with the world and consider tactics to increase its volume. Using my voice–not a cane–as weapon.

Like the majority of television-gazers each December, I also weep at John Lewis Christmas adverts. We know these are designed to be emotive, to elicit tears from even the hardest-hearted of individuals, yet the advertising trap ensnares us. I cry. I cry for the images of family portrayed in beautifully-filtered videos: always a mother and father and child experiencing holiday magic in a knife-to-the-emotional-fortress scene where a dog or penguin or gorgeous garden features. A child wishes for Santa and dreams come true. Yes, it is obvious. I don’t cry then for what my boy and I do not have. Not because I no longer can afford to shop at John Lewis. Not for my present circumstances. But I weep at the surging attack on my nostalgic sense of when my little-girl-self stood at the window of my grandparent’s house and expelled Christmas wishes with hot breath against cold glass, then traced my finger through the steam to make small pictures my grandmother would rub with gusto to remove from the pane.

I am determined not to reach a day when I reveal to my son how poor we are becoming. I sold my grandmother’s jewellery last week. The sole possessions left to flog now are my grandfather’s coin collection and the pearls my mother gave me on my sixteenth birthday. But these I want to save for my son. Maybe someday he will hold each cold coin in his hand, as I did decades ago when sat on my grandfather’s lap, running my unwrinkled fingers around smooth edges of round and octagonal metallic circles. I have looked into selling this collection and the reward would be next to nothing. This is purely a sentimental hoard. Copper and silver with little value, only precious to me, stored in my closet but I remain hungry.

Perhaps one day my son will love a woman enough to enclasp my strand of pearls around her neck. He might streak his lips near her ear and whisper tenderly that he loves her. She would feel warmth emanating from his body, the warmth that fills his body now, the blood connection he and I once shared when his heartbeat began inside of me. The blood now circulates through his small body, pumping his life in rhythmic beats, nourishing his organs, blood flowing to extremities so his fingers still move and can clutch that juice box and crackers, tie his own shoes and control the telly via remote.

I pray he becomes a man one day who is fortified in the knowledge he can excel at whatever his passion. I fear my shame will stick to him and diminish his destiny to be a grown up with loving heart and integrity. Despite barriers, I trust I have carved a childhood of learning for him that solidifies his mission to be a human emanating kindness to others and to himself.

My belly is empty. I last ate yesterday morning. My hands tremble as they hover over keyboard. I am mistyping sentences because I lack any source of energy to sustain me. I hear my son watching cartoons in the other room. He is giggling at silly voices of puppets and animated characters.

I will write myself to a better life. I will do this for him, for me.

After an indulgence of soup tonight, I shall write with a steady hand.

[Daily Post]

Thank you! My Black Cat Blue Sea Award

This must be a million-dollar question: why do people blog? Why put yourself out there, share your words, your photos, poems, thoughts, musings and snapshots of your life? Are you seeking connection, promotion or an audience? Are you motivated to inspire others with your blog, boost creativity in a global community or perhaps you simply want to create an online space that is purely yours.

Hand on heart, I kick-started this blog for all of the above reasons. As I inch forward with it, however, I learn there are additional gifts and this morning awoke to discover a lovely gift indeed: a nomination from Living vs Existing for The Black Cat Blue Sea Award along with a message about how much she enjoys my writing. A huge thank you, Cherylene!

Living vs Existing aims to ‘Enlighten, Motivate and Inspire Change’ via blogposts. Cherylene’s first short story is a sweet tale of two contrasting families, a story with a moral theme at its heart: ‘It does not matter  where you start in this race called life; all that matters is how you finish.’ Predominantly, Cherylene gives readers a glimpse into her life, from sharing her poetry to insight about mind, body and spiritual well-being. The joy she has in her life from her two boys and in her writing shines through!

Cherylene’s response to her own Black Cat Blue Sea Award questions are here. These are my answers to Cherylene’s prompts:

  1. If you could go to any period in time within your life, would you go to your past, your future or would you remain in the present and why? The future strikes me as quite a scary prospect at the moment, what with quite mad political friction heating up, so it’s a toss-up between past and present. I’d like to visit the 1950’s/60’s to experience the upswell of writers and artists I admire in print and film, but also to experience the enormous change in politics and music over those two decades. But that would just be a visit. I could not live without my MacBook and iPhone so, for technological and creative reasons, my feet are remaining planted in present day.
  2. What is your all-time favourite movie or television series? Too difficult. Father Ted and Catastrophe are the sharpest of comedies on television so are favourites. Favourite films range from Some Like it Hot to The Player, O Brother Where Art Thou to Pulp Fiction.
  3. When no one is watching or listening, would you consider yourself more of a singer or a dancer? I’ve been both a singer and dancer but these days, I belt the blues more than pirouette. A singer. Definitely.

I nominate the following bloggers, knowing that all may not respond but hopefully they shall be heartened just by receiving this accolade from a fellow blogger.

  1. Shivamt25
  2. LOVEUROWNLIFE
  3. Aroused
  4. Mum’s the Word Blog
  5. Out of My Write Mind
  6. BEXoxoBlog

Questions for these six bloggers:

  1. Why do you rev up the computer and blog?
  2. If Hollywood were casting an actor to play you in a film, which actor of present/past cinema do you see in that role?
  3. You’ve been contracted to write a novel—what would the story be about?

Thanks again to Cherylene—it’s been a reflective and enjoyable exercise to post this, to connect with other bloggers. Gratitude to all who have read this and to the nominees who participate.

Estella

The Champion of Charades

Tipples toppled down merry throats, the guests warming themselves by crackling fire—some slouched whilst patting their overstuffed tummies, others arranged their legs in lotus position, backs straight and eager to glean what adventures awaited them before dessert.

‘Charades?’ Maurice queried the group of eleven other warm beings sat around the skewed circle, an equal balance of men and women.

Jonty extracted vintage briar pipe from pursed lips, his other hand pinching the lapel of tartan waistcoat and proclaimed: ‘A champion idea!’

‘Indeed!’ The rest of the gaggle agreed.

‘Bunny is the charades champion!’ Boasted Maurice, Bunny’s fiancé who idled most at his days at Father’s vineyard, savouring liquid grapes before firing purple streams of wine into spittoons.

‘Good girl yourself, Bunny!’ Puffed out Pierre, circulating a stock of Montblanc pens and watermarked paper to his guests. ‘A champion girl!’

Bunny beamed with pride at this affirmation from her old school chums. She had never been champion of anything at school—hardly passed a subject each term—but Mother’s call to the Headmaster of Claridge’s Day School netted Bunny admission despite her universally-acknowledged inferior intelligence. Requiring little reminding to the Headmaster, Bunny was Bunny Richmond of the Richmond Richmonds, a family dripping with riches and titles. Whilst her brain was under no pressure to perform at school, Bunny had excelled to inspire fellow Claridge pupils in all matters of disguising provocative brassieres beneath cashmere twinsets and mastering the art of peeling curly lemon twists for martinis. She was a good-time girl.

‘Oh, Maurice! That was a million years ago at summer camp!’

‘Yes, but when you are crowned a champion you are a champion, m’dear,’ her fiancé clarified. ‘And if I remember rightly, you were the champion of strip charades!’

At his risqué disclosure, the ensemble tittered and guffawed, some tinkled expensive pens lightly against their lead-crystal flutes of bubbly. Bunny blushed at the yesteryear memory of late-night frolicking with fellow campers amongst the lush Welsh cabins on the lake. That was a summer to remember. There, the posh young teens assembled in secret when those in charge tucked into bed on 300-count sheets. There, the boys with exploding Adam’s apples enticed girls blossoming to womanhood to kick off the games with Spin the Bottle, then Truth or Dare. Strip Charades was the finale of the night and, like tonight, a youthful and rather bawdy Maurice had played compere.

‘A jolly good night that was! One to remember, Bunny. One to remember!’ Shouted Jonty, looking her up and down with obvious jut of his strong jaw, evoking a greater volume of guffaw from the guests.

Lord Harquest’s daughter, Angelica, tried to calm the throng sprawled out across the wall-to-wall Persian carpet her father had imported to match the floor-to-ceiling crimson curtains. ‘Shush now! This time we’ll keep our clothes on—we were kids then! These are the teams.’

Angelica reeled off the list of six names, followed by confirmation of the other six who would oppose them. Half a dozen then retreated to the drawing room with paper and pens, the other half remained in situ and began writing their charade clues—ones that surely the other team would never guess.

Fifteen minutes and three more bottles of Dom Perignon later, the full group reassembled and each team captain released their folded clues into shiny brass bowls atop either end of white marble mantelpiece. Jonty stoked the fire, illuminating the room further and reddening the guests’ cheeks.

‘The champion must go first!’ Christina heralded from her supine perch on chaise lounge.

‘Here, here! The champion!’

Butterflies fluttered Bunny’s belly and, were she not feeling increasingly squiffy from three hefty glasses of Barolo with the Beef Wellington and six flutes of champagne since, she would have retreated. But it was stirring to hear herself be proclaimed ‘a champion.’ Such victory had not been bestowed upon her bodacious and audacious self since life was a day of dreaming of her future.

‘And we have the perfect clue for you to start us off, Bunny.’

Antonia pressed a small, folded paper into Bunny’s manicured hand which Bunny unfolded, careful not to allow her team a glimpse. She stared at the word, written in neat and fanciful blue ink, gulped a weighty dose of oxygen then nodded to Pierre who clutched his gold Apple Watch, timer primed for countdown.

‘Go!’

Bunny slid the folded paper up the inside of her left wrist, tucking it inside the her pink cardigan cuff. To her team of faces staring agog, Bunny clasped her hands together, making sweeping gestures over her head in celebration. Her team remained mute. No guesses.

Next, Bunny extended both arms out each side of her body, bending them at the elbow then crunching fists together to show off her muscles. No guesses, just silence staring back at her.

‘One minute left,’ chirped Pierre.

She decided acting out the word was a fruitless exercise. She would break the word down into syllables.

Then they were on a roll. Three syllables they guessed when she brandished three fingers from right hand on left arm. Bunny nodded affirmation.

Third syllable was an easy guess: she acted out various prepositions of place and, once the team shouted out a stream of ‘ins’ and ‘behinds’ and other guesses, they correctly nailed ‘on.’

The second syllable called for more brazen actions. Bunny squatted and mimed that she was unrolling loo roll from the wall.

‘Pee!’ Blared Georgina, smug look on her flawless face when Bunny nodded.

‘So,’ Maurice said swiftly. ‘Three syllables. Something-pee-on.’

Bunny nodded.

‘Anyone?’ Maurice asked his team.

‘Fifteen seconds!’ Cut in Pierre.

Bunny was now desperate. How could her team be so dim? How could she lose this, lose her title? It may not be much, but she had her reputation to preserve.

In mad flurry, Bunny resorted to the only means for ensuring victory: she tore off her clothing until only the smallest of smalls shielded view from her most private of privates. The room fell collectively silent with twenty-two pairs of glassy eyes taking in the performance of Bunny’s lifetime.

Bunny ran to the mahogany coffee table which Jonty had pushed into the corner to make room for their game. Her long, bare legs leapt gracefully onto the wood. Upon landing on the table, Bunny extended her arms above head, imagining herself grasping a gleaming trophy, engraved clearly for all to see: ‘Bunny Richmond, the Charades—‘

‘Champion!’ They shouted in unison.

Indeed—Bunny was victorious!

 

via Daily Prompt: Champion

On the Cusp of My Circus

Yesterday, I craved to write. A drought of days where I had not written a word had kept me awake at night for four days. Frustratingly, when a surge of words rumbled to my consciousness, I was either too busy prioritising other people’s needs or, on rare occasion, either floating in the bath or driving–both settings not conducive for tapping on a keyboard. Then last night, this stunning Chagall painting (The Blue Circus) popped up in my photos, along with a quote from the painter:

My hands were too soft…I had to find some special occupation, some kind of work that would not force me to turn away from the sky and the stars, that would allow me to discover the meaning of life.

At risk of hurtling over the wall into sentimentality, Chagall’s words broke through the writing barrier that had contained my creativity since last Friday. Understand this: far from bigging up my ego to the size of a buffalo, I confess that my writing is a slow-burn at the moment. My projects are diverse: two fiction manuscripts, a screenplay idea I am tweaking, a thickening compilation of short-stories ready to print and a pushed-to-capacity external hard-drive packed with ideas begging me to develop them to publication. Too many projects distracting me from mastering just one.

‘There is not enough time in the day!’ I shout at files in my laptop. My head often feels dizzy. It would be easier if I had not made the decision to write full-time; instead, be a casual writer, scribbling Haikus on beermats and banging out flash-fiction when a spare fifteen minutes cleared in my diary.

But I am on the cusp. I feel it. I felt it strongly last night when staring at Chagall’s upside-down woman painted brazenly red, the yellow moon aside her with violin, the green goat against vibrant blues in a chaotic masterpiece. Some days my life is a chaotic masterpiece. My writing is a chaotic masterpiece. It is a circus. Chagall said:

 For me a circus is a magic show that appears and disappears like a world.

So, today I begin to write again. Mundanely and monotonously, I was brushing my teeth this morning when a breakthrough idea about the protagonist in my novel burst in my head. I recognised that fluttering of excitement in belly, that urgency to transfer the idea from grey matter to grey MacBook before it evaporated. I strode with vengeance to computer. An hour later, I am here and my protagonist, Billie, has enjoyed a romp at The Metropolitan Museum of Art within the confines of a 3,000-word chapter. Apparently the answer for Billie was that I as starving her of art, so I delivered my main character to The Met where she, too, can stare at the beauty of Chagall.

With this new chapter added to my manuscript this morning, returning to my blog felt the next step. I sit here, ruminating over the supremely expressive Chagall, his paintings and his words again: ‘…some kind of work that would not force me to turn away from the sky and the stars, that would allow me to discover the meaning of life.’

I may not have discovered the meaning of life today but, damn it, I sit here on the cusp of creating a world of beauty for my life in words.

via Daily Prompt: Cusp

The Revolution Will Be Televised

‘I want freedom, the right to self-expression, everybody’s right to beautiful, radiant things.’

A beautiful bombardment of writing about International Women’s Day buzzes online today, nudging me to reflect on my life as not only a writer but as a female writer. Is there any relevant distinction, any greater challenge or any added responsibility in being a woman writing than a man?

The quote above is Emma Goldman’s, writing about her commitment to the anarchistic cause. It reminds me of growing up with a brilliant mother who wrote and aligned herself with feminism and who, when I was a teenager, gave me an Emma Goldman badge which I wore on my jacket. The badge was the circumference of an oversized coffee mug so it did not sit daintily on my denim jacket’s left-breast pocket, bouncing against my chest when I walked, so it rarely got an outing. However, I loved the (attributed) Emma Goldman quote printed around the edges with Goldman’s sketched face in the centre:

‘If I can’t dance, I don’t want to be part of your revolution.’

Politics, philosophy and literature were at the heart of my childhood so I loved this anarchistic message I was sporting like some spotty-faced billboard trying to rouse a flicker of feminism amongst the girls I romped about with. But that’s not what happened. Mostly, my teen friends thought my Goldman statement was about dancing—and my mates decided the ‘revolution’ reference was about shunning bands we thought were twee and listening instead to indie and punk. None of this was true but that didn’t matter. That Goldman quote and badge was my teenage mantra, my inside joke, my connection to a woman who bravely wrote about her life as a woman in an age when her voice was diminished, though she spoke it with gusto. That quote at the top was written in 1931—has much changed since then?

I want my own freedom, the right to self-expression…my right to beautiful, radiant things. Best of all? I have the power and platform to share my voice about women, writing and, yes, I might even toss in a bit of anarchy along the way.

Happy International Women’s Day to all women: those who inspire, who heal, who mother, who create, who support, who overcome challenges to remain upright each day and to all of you who contribute to this multi-coloured world of ours. I want to be part of your revolution.

Desk with a View

Are you sitting comfortably? Are you reading this on iPhone against the throng of a crowded street or are you lying supine on sofa, feet up and perusing the internet for daydreamy nuggets related to Austen?

Do you write? Where do you write–at a desk, on a coffee-stained formica table in a cafe, or tucked away in a library nook? Being a mobile writer is one strong perk of this trade. I have an office with expansive windows which always cheer me as I observe people striding footpaths below; but I also love the weight of my mobile office adjusted from left to right hand as I heft my MacBook from various public seats. Right now, I am typing this propped up with pillows in bed, coffee at my right, notepad at my left. I’ve already been out of the house this morning, now I return for a twenty-minute reviving rest before the day goes full-throttle.

This drawing of Jane Austen’s desk never fails to elicit my smile. It is, of course, peppered with hints about her personal and writing life, but it also makes me reflect on what objects both physically and metaphorically I would place around me to represent my life and my life in words. So, what does your writing space look like? What inspires you?

I’m off shortly to my office to nab space and solace to tap out a few words. I’m thinking of mimicking this Austenesque drawing for inspiration today so I may prop on my desk a framed photo of Dorothy Parker (nudging wit to come out to play), sharp scissors (office necessity), a candlestick or two (blunt instrument to aid my writing of a crime thriller), lavender (just like Austen’s and it may help induce a well-earned afternoon nap) and a pile of my manuscripts (so I am reminded I actually accomplish something at a keyboard).

Pull up a chair–we are writing today!

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